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“A PAINTING IN A MUSEUM hears more ridiculous opinions
than anything else in the world.” ~Edmond de goncourt
WRONG!
HERE’S JOHNNY!!!
But graffiti is, by definition, a defiant and public exhibition. ~pbs.org
NOT		ART!
NOOOOOOOO!
Graffiti: The History of an Art Form By: Theresa Nucciarone Image taken by: Maria Malm
YAAAAAAAAY!
THE ROMANS! THE GREEKS!
pungere con parole (ancheassol.): un'ironiachegraffia~garzantilinguistica. sapere.it.com
“Ancient graffiti displayed phrases of love declarations, political rhetoric, and simple words of thought compared to today's popular messages of social and political ideals” ~wikipedia.org
Humans have been writing symbols on walls since time immemorial.  ~nymag.com
“People say graffiti is ugly, irresponsible and childish. But that’s only if it’s done properly.” ~Banksy
But it’s safe to place the origins of a New York style in the late sixties, as a younger generation’s artistic response to the public protests of the Black Power and civil-rights movements. ~nymag.com
The first modern graffiti writer is widely considered to be Cornbread, a high school student from Philadelphia, who in 1967 started tagging city walls to get the attention of a girl.  ~pbs.org
"Seems logical to me captain."
These kids were rechanneling all of those hippie ideas about freedom, peace, love, and the democratization of culture by redefining the purpose of art. They represented a celebration of the rights of the salt of the earth over private property. ~nymag.com BREAK ON THROUGH TO THE OTHER SIDE
By the mid seventies, many subway cars were so completely covered in top-to-bottom paintings. ~nymag.com
History of Graffiti Art Form
History of Graffiti Art Form
History of Graffiti Art Form
History of Graffiti Art Form
History of Graffiti Art Form
History of Graffiti Art Form
History of Graffiti Art Form
History of Graffiti Art Form
History of Graffiti Art Form
History of Graffiti Art Form
History of Graffiti Art Form
History of Graffiti Art Form
History of Graffiti Art Form
History of Graffiti Art Form
History of Graffiti Art Form
History of Graffiti Art Form
History of Graffiti Art Form
History of Graffiti Art Form
History of Graffiti Art Form

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History of Graffiti Art Form

  • 1.
  • 2.
  • 3.
  • 4.
  • 5.
  • 6.
  • 7.
  • 8.
  • 9.
  • 10.
  • 11.
  • 12.
  • 13.
  • 14.
  • 15.
  • 16.
  • 17.
  • 18.
  • 19.
  • 20.
  • 21.
  • 22.
  • 23.
  • 24.
  • 25.
  • 26. “A PAINTING IN A MUSEUM hears more ridiculous opinions
  • 27. than anything else in the world.” ~Edmond de goncourt
  • 29.
  • 30.
  • 31.
  • 32.
  • 33.
  • 34.
  • 35.
  • 36.
  • 37.
  • 38.
  • 39.
  • 40.
  • 41.
  • 43.
  • 44.
  • 45.
  • 46.
  • 47. But graffiti is, by definition, a defiant and public exhibition. ~pbs.org
  • 50. Graffiti: The History of an Art Form By: Theresa Nucciarone Image taken by: Maria Malm
  • 52.
  • 53.
  • 54.
  • 55.
  • 56. THE ROMANS! THE GREEKS!
  • 57.
  • 58. pungere con parole (ancheassol.): un'ironiachegraffia~garzantilinguistica. sapere.it.com
  • 59.
  • 60.
  • 61. “Ancient graffiti displayed phrases of love declarations, political rhetoric, and simple words of thought compared to today's popular messages of social and political ideals” ~wikipedia.org
  • 62.
  • 63. Humans have been writing symbols on walls since time immemorial. ~nymag.com
  • 64. “People say graffiti is ugly, irresponsible and childish. But that’s only if it’s done properly.” ~Banksy
  • 65.
  • 66.
  • 67.
  • 68.
  • 69. But it’s safe to place the origins of a New York style in the late sixties, as a younger generation’s artistic response to the public protests of the Black Power and civil-rights movements. ~nymag.com
  • 70.
  • 71.
  • 72.
  • 73.
  • 74. The first modern graffiti writer is widely considered to be Cornbread, a high school student from Philadelphia, who in 1967 started tagging city walls to get the attention of a girl. ~pbs.org
  • 75. "Seems logical to me captain."
  • 76.
  • 77.
  • 78. These kids were rechanneling all of those hippie ideas about freedom, peace, love, and the democratization of culture by redefining the purpose of art. They represented a celebration of the rights of the salt of the earth over private property. ~nymag.com BREAK ON THROUGH TO THE OTHER SIDE
  • 79.
  • 80.
  • 81. By the mid seventies, many subway cars were so completely covered in top-to-bottom paintings. ~nymag.com

Notas do Editor

  1. Thirty eight seconds
  2. Graffiti was becoming a weapon
  3. Used by adolescents
  4. To fight the establishment.