A slideshow connected to a lecture of Modern Art from 1900 to 1950 available at Art History Teaching Resources (http://arthistoryteachingresources.org/), written by Jon Mann.
15. Charles-Édouard Jeanneret (Le Corbusier), Still Life, 1920.
“Purism fears the bizarre and the original. It seeks the pure element
in order to reconstruct organized paintings that seem to be facts from
nature herself.” — Amédée Ozenfant and Charles-Édouard Jeanneret,
“Après le cubisme” (1918)
16. Gino Severini, Armored Train, 1915 (left) and
Two Pierrots, 1922 (right).
Picasso, Les Demoiselles d’Avignon, 1907 (top) and
Three Women at a Spring, 1921 (bottom).
19. International Congress of Constructivists and Dadaists
Weimar, Germany, 1922
Pictured: Laszlo Moholy-Nagy (Bauhaus), Lucia Moholy-Nagy (Bauhaus), El Lissitzky (Constructivism),
Theo van Doesburg (Neoplasticism/Dada), Tristan Tzara (founder of Zürich Dada),
Hans Arp (Dada), Sophie Taeuber-Arp (Dada)
20. El Lissitzky, The Constructor,
1925.
Herbert Bayer, Poster for Bauhaus Exhibition, 1923.