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TV PRODUCTION - DIGITAL BROADCASTING SOLUTIONS
From a Video Archive to a Near-live Media
Distribution Platform
FIAT - IFTA Lugano - June 2017
Agenda
• Context
• Legacy - the project
• Future plans
• Conclusion
• Questions
Context
UEFA
• The Union of European Football Associations
• Governing body of European football
• Umbrella organisation for 55 national football
associations across Europe
• Organises 17 different competitions
• Sells media and sponsorship rights
• Based in Nyon, Switzerland
Digital Broadcasting Services Overview
• 90+ different services
• 550+ matches covered per year (live and/or near live)
• 1,000+ match live streams, 60,000+ video clips, 5,000+
data feeds​ per year
• 11,000+ TV and digital graphics​ per year
• 300+ broadcast and commercial partners
• 550+ UEFA internals/externals, football family members
(NAs, clubs etc.)
• 200+ production partners
• Through our current distribution
services Livex/Legacy
or via direct delivery to third party platforms
Stakeholders
Broadcasters Sponsors
UEFA
Internal
National
Associations
Clubs
Refereeing
& Coaching
Production
Partners
Agencies
Two Distinct Content Delivery Platforms
Livex
• Near live content distribution solution
– Match video clips
– Selected additional programming
– Data feeds
– Statistics
– Graphics
– Live video streams
• Digital & broadcast quality
• Broadcasters, sponsors, NAs, clubs, UEFA
Legacy
• Long term video archive
– All televised matches
– All additional programming
• Best possible quality with option to order in
lower qualities
• Selected broadcasters, sponsors, UEFA,
production partners
Legacy – UEFA Video Archive
Legacy – UEFA Video Archive
• Multi-year project launched in 2008
• Aim to preserve the UEFA video archive
• Official match data and time-based logging
• Creation of a web-based portal
• Streamlined ordering and delivery
• Major focus on user experience
• Three major phases:
PHASE 1
Digitisation of matches
First archive application
2008-2011
PHASE 3
Infrastructure update &
front-end redesign
2013-2015
PHASE 2
Automated ingestion
workflows
2011-2013
Archive Digitisation And Logging
• 2-year process
• Workflow at a glance:
UEFA tape archives
(4 Locations)
• In Switzerland & the UK
• More than 30,000 tapes
Digitising & logging
(Brussels)
• 10,000+ hours digitised
• 1,800,000+ events logged
• Approx. 400 events per match
• 27 full-time loggers
Archiving & hosting
(Geneva)
• Matches from 1956 to 2011
• 4,000+ matches
• Video files stored in best quality
possible
• Database containing video
related metadata & logs
PHASE 1
Digitisation of
matches
Archive Application
• First version launched in Summer 2011
• Web-based, developed in Flash
• Limited user group initially, gradually rolled out to UEFA staff during 2012
• Innovative video timeline
– Football match specific timeline
– Integration of video, object metadata and time-based logging
– Easy access to related content
PHASE 1
Digitisation of
matches
PHASE 2
Automated
ingestion
workflows
Stadium
(All televised matches)
• HB truck
• World feed creation
• Satellite up-link
d
Video acquisition,
transcoding & live
logging
(Turin)
• Creation of video files
• HD Format (XDCam50)
• Live logging (approx. 100 key
events per match)
Archive ingestion
(Geneva)
• Video files
• Video metadata from XML
• Generic information & logs
Automatic Matchnight Workflow
• All televised matches to be available by 9am the following day
• Initial video quality was MPEG-2 8Mbps, improved to XDCamHD 50Mbps
PHASE 3
Infra and front-
end redesign
Front-end & Storage Redesign
• Front-end completely rewritten in HTML5
– Advanced video functionality
– New features based on user feedback, including clip sharing and
screengrabs
– Integration of new content types (multi-angle video clips)
• Restructuring of storage infrastructure:
– Originally a single SAN of 800TB
– Changed to a SAN of 300TB plus an LTO robot
– Content storage location defined based on usage data
Application
• Capping mechanism
• More rights
management
• Search improvement
• Responsive design
• Skinning for various
target populations
PHASE 3
Infra and front-
end redesign
• Match metadata
• Log and keyword filter
• Match timeline
• Related video
• Video scrubbing capability
• Clip, rough edit, order and
share capability
Legacy Overview – Today 1/2
• Archive of more than 27,000 hours, more than 3 million logged
events
• Matches, highlights, interviews, press conferences, magazine
shows, promos…
• Multiple master file formats
• Data storage of more than 1PB, 650+ user accounts, 100,000
clips delivered per year in 8 possible different formats
• 80TB of content delivered per year, 70% of delivered content is
broadcast quality
• New applications developed on top of the archive
• Strong authorisation matrix
Legacy overview – today 2/2
• 5 major technical partners:
– EVS: Content management &
ingest/delivery infrastructure
– Interoute: Data centre
– UI Centric: Front-end
– Aspera: Content delivery
– EBU: Content delivery
• 3 major content providers:
– Deltatre
– IMG
– ISG
Future Plans
Tomorrow…
• Legacy & Livex should merge into a single platform
• Wider user base – 1,000+
• Ability to archive 4K content
• Ability to archive 360° content
• Improved workflows for remote content contribution
• More content – not only video
• Live, near live and post production usage
• More applications and usages addressed
• AI and machine learning
Digital Hive… New Project Code Name
Digital Hive
Content
Acquisition
Content
Factory
Content
Publication
Content
Distribution
QC, Monitoring and Reporting
Structure
• 4+1 independent pillars
• Breaking the 1-to-1 workflow/service
situation
• Clear segmentation between content
production and services
Benefits
• Centralised UEFA control
• Harmonise & re-purpose content
offering for all stakeholders
• Faster delivery of products and services
for all stakeholders
• More cost-efficient, scalable, agile
engine across all competitions
Third Party
Platform
Production Teams
UEFA
Production partners
Digital Hive – Route to Remote and Centralised Production
Digital Hive
UBPs Sponsor
Venue
Venue
Venue
CONTENT ACQUISITION
UEFA contribution network
0, 10Mbps, 100Mbps, 1Gbps, 10Gbps
NA Clubs
UEFA
Production
Partners
CONTENT DELIVERY
UEFA
distribution network
CONTENT ENRICHMENT
UEFA production network
1Gbps
Supporting More Clients - Centralisation Of Services With Decentralised
Platforms
Hive services in
the cloudCurrent
centralised
platforms
Meyrin (Interoute)
HiRes and
Archive
Hive
HiRes delivery
Accessing the Hive
Digital delivery
HiRes ordering
Moving to a scalable and cost
efficient architecture
Conclusion
Conclusion
From our experience…
• Archiving:
– Must be fully integrated with production workflows
– Pre-event planning is needed
– Metadata gathered and maintained through the whole process
• Infrastructure:
– Scale gradually
– Protect the platform – impose controls as needed
• User experience:
– Most of our users have little or no TV production experience
– Intuitive interface is vital
Questions?
Thank you/Merci/Grazie

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From a video archive to a near-live media distribution platform - Gaches, Olivier

  • 1. TV PRODUCTION - DIGITAL BROADCASTING SOLUTIONS From a Video Archive to a Near-live Media Distribution Platform FIAT - IFTA Lugano - June 2017
  • 2. Agenda • Context • Legacy - the project • Future plans • Conclusion • Questions
  • 4. UEFA • The Union of European Football Associations • Governing body of European football • Umbrella organisation for 55 national football associations across Europe • Organises 17 different competitions • Sells media and sponsorship rights • Based in Nyon, Switzerland
  • 5. Digital Broadcasting Services Overview • 90+ different services • 550+ matches covered per year (live and/or near live) • 1,000+ match live streams, 60,000+ video clips, 5,000+ data feeds​ per year • 11,000+ TV and digital graphics​ per year • 300+ broadcast and commercial partners • 550+ UEFA internals/externals, football family members (NAs, clubs etc.) • 200+ production partners • Through our current distribution services Livex/Legacy or via direct delivery to third party platforms
  • 7. Two Distinct Content Delivery Platforms Livex • Near live content distribution solution – Match video clips – Selected additional programming – Data feeds – Statistics – Graphics – Live video streams • Digital & broadcast quality • Broadcasters, sponsors, NAs, clubs, UEFA Legacy • Long term video archive – All televised matches – All additional programming • Best possible quality with option to order in lower qualities • Selected broadcasters, sponsors, UEFA, production partners
  • 8. Legacy – UEFA Video Archive
  • 9. Legacy – UEFA Video Archive • Multi-year project launched in 2008 • Aim to preserve the UEFA video archive • Official match data and time-based logging • Creation of a web-based portal • Streamlined ordering and delivery • Major focus on user experience • Three major phases: PHASE 1 Digitisation of matches First archive application 2008-2011 PHASE 3 Infrastructure update & front-end redesign 2013-2015 PHASE 2 Automated ingestion workflows 2011-2013
  • 10. Archive Digitisation And Logging • 2-year process • Workflow at a glance: UEFA tape archives (4 Locations) • In Switzerland & the UK • More than 30,000 tapes Digitising & logging (Brussels) • 10,000+ hours digitised • 1,800,000+ events logged • Approx. 400 events per match • 27 full-time loggers Archiving & hosting (Geneva) • Matches from 1956 to 2011 • 4,000+ matches • Video files stored in best quality possible • Database containing video related metadata & logs PHASE 1 Digitisation of matches
  • 11. Archive Application • First version launched in Summer 2011 • Web-based, developed in Flash • Limited user group initially, gradually rolled out to UEFA staff during 2012 • Innovative video timeline – Football match specific timeline – Integration of video, object metadata and time-based logging – Easy access to related content PHASE 1 Digitisation of matches
  • 12. PHASE 2 Automated ingestion workflows Stadium (All televised matches) • HB truck • World feed creation • Satellite up-link d Video acquisition, transcoding & live logging (Turin) • Creation of video files • HD Format (XDCam50) • Live logging (approx. 100 key events per match) Archive ingestion (Geneva) • Video files • Video metadata from XML • Generic information & logs Automatic Matchnight Workflow • All televised matches to be available by 9am the following day • Initial video quality was MPEG-2 8Mbps, improved to XDCamHD 50Mbps
  • 13. PHASE 3 Infra and front- end redesign Front-end & Storage Redesign • Front-end completely rewritten in HTML5 – Advanced video functionality – New features based on user feedback, including clip sharing and screengrabs – Integration of new content types (multi-angle video clips) • Restructuring of storage infrastructure: – Originally a single SAN of 800TB – Changed to a SAN of 300TB plus an LTO robot – Content storage location defined based on usage data
  • 14. Application • Capping mechanism • More rights management • Search improvement • Responsive design • Skinning for various target populations PHASE 3 Infra and front- end redesign • Match metadata • Log and keyword filter • Match timeline • Related video • Video scrubbing capability • Clip, rough edit, order and share capability
  • 15. Legacy Overview – Today 1/2 • Archive of more than 27,000 hours, more than 3 million logged events • Matches, highlights, interviews, press conferences, magazine shows, promos… • Multiple master file formats • Data storage of more than 1PB, 650+ user accounts, 100,000 clips delivered per year in 8 possible different formats • 80TB of content delivered per year, 70% of delivered content is broadcast quality • New applications developed on top of the archive • Strong authorisation matrix
  • 16. Legacy overview – today 2/2 • 5 major technical partners: – EVS: Content management & ingest/delivery infrastructure – Interoute: Data centre – UI Centric: Front-end – Aspera: Content delivery – EBU: Content delivery • 3 major content providers: – Deltatre – IMG – ISG
  • 18. Tomorrow… • Legacy & Livex should merge into a single platform • Wider user base – 1,000+ • Ability to archive 4K content • Ability to archive 360° content • Improved workflows for remote content contribution • More content – not only video • Live, near live and post production usage • More applications and usages addressed • AI and machine learning
  • 19. Digital Hive… New Project Code Name Digital Hive Content Acquisition Content Factory Content Publication Content Distribution QC, Monitoring and Reporting Structure • 4+1 independent pillars • Breaking the 1-to-1 workflow/service situation • Clear segmentation between content production and services Benefits • Centralised UEFA control • Harmonise & re-purpose content offering for all stakeholders • Faster delivery of products and services for all stakeholders • More cost-efficient, scalable, agile engine across all competitions Third Party Platform
  • 20. Production Teams UEFA Production partners Digital Hive – Route to Remote and Centralised Production Digital Hive UBPs Sponsor Venue Venue Venue CONTENT ACQUISITION UEFA contribution network 0, 10Mbps, 100Mbps, 1Gbps, 10Gbps NA Clubs UEFA Production Partners CONTENT DELIVERY UEFA distribution network CONTENT ENRICHMENT UEFA production network 1Gbps
  • 21. Supporting More Clients - Centralisation Of Services With Decentralised Platforms Hive services in the cloudCurrent centralised platforms Meyrin (Interoute) HiRes and Archive Hive HiRes delivery Accessing the Hive Digital delivery HiRes ordering Moving to a scalable and cost efficient architecture
  • 23. Conclusion From our experience… • Archiving: – Must be fully integrated with production workflows – Pre-event planning is needed – Metadata gathered and maintained through the whole process • Infrastructure: – Scale gradually – Protect the platform – impose controls as needed • User experience: – Most of our users have little or no TV production experience – Intuitive interface is vital